
Metallic
A metallic floor for the Venice room everyone walks into
Color gets pushed and feathered while the pour is still open, then locked under a clear coat. Each floor happens once. Worth it in a room people see, wasted on a storage shed.
Pour this floor
Tell us the room and what is on the floor now. Or call (941) 504-9132.
Rooms
Which rooms deserve a pour
Metallic epoxy is closer to painting than to construction, and it is the most visible floor we put down, so the first conversation is about the room. A living room that opens onto the pool, an entry hall, an office where clients walk in: those are rooms on show, and they suit it.
A laundry room or a garage stacked with boxes does not. The point of a metallic is that people see it, and in a room that fills up nobody will. For those spaces a flake floor or a straightforward grind and seal is the better call, and we will say so.
This is the floor we got into the trade for. It is also the least forgiving one, because a high gloss gives away everything, down to a stray hair caught in the clear.
In Venice that room might sit in an older house near the water or a newer build further inland, and slab age varies street by street. An older slab under tile or carpet can hide old adhesive, patches and cracks, and all of it has to come up and be dealt with before a pour. The photo here was taken mid-job with the baseboards still off the wall, which is how every metallic room looks for a while.

The pour
Why no two metallic floors come out alike
Metallic pigment floats in the resin. While the pour is open we push the color and feather it, and the particles turn and settle as they move. Where they lie flat, the floor catches light. Where they stand on edge, it reads dark and deep. That movement is the whole look.
Because the resin stays workable only for a limited window, the design happens live. We talk through colors and the kind of movement you want ahead of time and look at reference photos together. Then the floor gets made in one go. You can steer it. Nobody can hand you an exact copy of a photo you found online, and anyone who promises one is guessing.
A metallic floor is made once, in the time the resin stays open. That is why nobody else has yours.
The two floors on this page show the range. The one at the top is teal and gold in a waterfront living room. The other is brown and cream under a high gloss. Same kind of pour, different pigment, and a different hand moving it while it was wet. Browse more finished floors with the colors you are weighing in mind.
Light
Big glass, water outside and a mirror finish
A metallic floor is a reflective surface, and a room with a wall of sliding doors onto a pool or a canal throws a lot at it. In the morning the gloss picks up the sky. If the doors face west, the late sun comes in low and every swirl in the pigment lights up. Some people love that. Some find it too much and want a softer sheen.
Two choices help. The first is color depth: darker, richer pours hold reflections well, while very pale ones can wash out in strong light. The second is the topcoat. Where daylight lies on the floor for hours, the clear needs to be UV-stable, since standard epoxy ambers in sunlight and pulls a teal or a blue toward yellow.
A gloss also shows what is on it. Sand carried in from a pool deck acts like sandpaper underfoot, so a mat at the slider and a dust mop are part of living with the floor. If the deck outside needs work too, pool deck coatings are a separate system built for sun and bare feet.
Trim
Baseboards off before, back on after
A metallic runs wall to wall, and the edge decides whether it looks built in or laid on top. So the baseboards come off before we start. The grind, the primer and the pour all reach the wall, and when the trim goes back it sits on the finished floor and covers the edge.
Door casings, the change into a tiled kitchen and the threshold at the sliders each get looked at on the walk-through, because each one needs its own plan before the pour. Transitions are where rushed work shows, and where careful work disappears.
The room is emptied completely and stays closed while the resin cures. Underneath, the prep is the same as any floor we do: diamond grinding, crack and pinhole repair, primer, and a moisture reading before we quote, because Florida slabs push vapor upward constantly and a film that traps it will bubble no matter how pretty the pour.
Once the clear coat is down, the room takes socks and bare feet the next day. Humidity and the afternoon storms move cure times around, which is why your dates are written down before we start. Venice sits a short run south of the Sarasota shop and usually gets on the schedule within the week.
Later
What a scratch means a few years in
Every floor gets scratched eventually. On a metallic, light scratches sit in the clear coat above the color, and a clear coat can be sanded and recoated to bring the gloss back. That is ordinary upkeep, and it is one more reason the topcoat choice matters on day one.
A deep gouge that cuts into the pour is harder. The pattern was made once, so a patch will never vanish the way it can on a flake floor. It can be blended. It can even be made to look intentional. It cannot be made invisible, and you should hear that before you commit a room to one.
Day to day, a metallic asks for very little. Dust mop it, damp mop it with plain water or a mild cleaner, and keep felt pads under chair and table legs so nothing drags across the gloss. Harsh or gritty cleaners dull the clear faster than anything you will walk on, so leave them in the garage. The floor you see on day one is mostly a question of how gently it gets treated after that.
Send the room size, a photo of what is on the floor now and a picture of a floor you like through the contact page. We will tell you what the slab needs underneath and when you can walk on it.
Garages
Multi-car bays, golf carts and where the coating meets the driveway.
Garage floors →Flake
The hard-wearing choice for rooms that work, with eighteen blends to pick from.
Choosing a blend →Commercial
Metallic for a lobby, a tougher finish for the back room, phased around your hours.
How we phase it →Metallic epoxy flooring in full → · See the work → · All Venice services →
Questions
Metallic floor questions from Venice homeowners
Can you match a metallic floor I saw in a photo?
We can get close on color and the kind of movement, and we look at the photo with you before the pour. An exact copy is not possible, because the pattern forms while the resin is open and the pigment settles its own way. Every metallic floor happens once.
Is a metallic floor slippery?
A high gloss can be slick in socks or with water on it, which is why metallic suits indoor rooms that stay dry. A fine texture can go into the topcoat near a door to the pool, though it dulls the mirror look a little. We talk that trade through before you commit.
Do the baseboards have to come off?
Yes, for a clean edge. With the trim off, the grind, primer and pour reach the wall, and the baseboards go back on over the finished floor to hide the edge. Leaving them in place means stopping short or cutting in by hand, and that joint always shows.
Will sun through the sliding doors change the color?
It can with standard epoxy, which ambers under ultraviolet light and pulls blues and teals toward yellow. Where sun sits on the floor for hours, the clear should be UV-stable. We choose the topcoat after seeing how much daylight the room really gets across the day.
What if the floor gets scratched?
Light scratches sit in the clear coat above the color, and the clear can be sanded and recoated to bring the gloss back. A deep gouge into the pour is harder, since the pattern was made once. It can be blended so it reads as part of the floor, though never fully erased.
How long is the room out of use?
Foot traffic is usually the day after the clear coat. Afternoon storms and high humidity affect cure times, so you get exact dates for your job before we start, including when furniture can come back. Plan on the room being empty from the first day of grinding until then.
Show us the room and a floor you like.
A rough size and a photo of what is on the floor now is enough for a real number, the prep it needs and the day count. No showroom visit, no pressure. Venice sits inside our 120-mile radius from Sarasota and we run this area regularly.
Contact details · Call (941) 504-9132 · All of Sarasota County
Pour this floor
Or call (941) 504-9132.
